Poster for the film "Yellow Cloud" The war on content
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Yellow Cloud is a Nizhny Novgorod blockbuster, a science fiction disaster film by the Kondor Film Studio)". A feature-length non-commercial film in the trash genre with a large number of staged fights and computer graphics. Shooting began in June 2009, the premiere took place on 31 October 2010.

The film was accepted into the Gosfilmofond of the Russian Federation under number 211050410 of 1 December 2010.

Synopsis

"In the places of divine manifestation the dark side gathers all its forces to sow doubt, to turn people away from the light, to kill faith in a person."

Plot

At the city of Sarov Nuclear Centre an incident occurs during physics experiments, as a result of which a yellow cloud grows and covers Nizhny Novgorod, where 30 years later all kinds of evil creatures begin to multiply. Unlike King's "The Mist", the space of the film is mostly populated by numerous successful patriots who overcome difficulties by way of hand-to-hand fights.

Official information

« The premiere of the Nizhny Novgorod picture “Yellow Cloud” will take place on 31 October at the cinema centre “Rekord” in Nizhny Novgorod with the support of the state enterprise "Oblkinovideoobyedinenie", as reported by the press service of the cinema centre.

To date this film is the company's largest non-commercial film project. Besides the screening of the picture itself, on the day of the premiere the organisers promise “one more small surprise”, but do not disclose the details.

Director and screenwriter Alexander Kondratenko. Genre - futuristic drama. Description: “Various evil creatures live in these places. They can kill, they can tear you to pieces, they can frighten you to death. Civilisation has vanished here, the seasons sometimes change within a day. Time behaves as it pleases. Here you have to survive. And in order to survive you have to do the simplest and at the same time the hardest thing - to remain human”.

The screening starts at 20:00.
»


About the film company "Kondor"

Kondor Film Studio) is one of the few Nizhny Novgorod film companies that make feature-length fiction films. The latter come in various genres: children's film, action, adventure, parody, science fiction and comedy. There is also a short-film project in the horror genre.

The works already released include: "The Gold of the Simenole Tribe" (1988), "Former Ninja 1" and "Former Ninja 2" (1994), "Astral" (1995), Moonshine" (1995), "Former Ninja 3" (1995), "The Search for Sharida 1" and "The Search for Sharida 2" (1996), "Kumite on the Planet of Dragons" (1996), "Dragon Cops" (1997), "The California Strike" (1998), "Chinese Style" (1999), "Nicronomicon" (2000), "Real Defence 1" (2002), "Real Defence 2" (2004), "Real Defence 3" (2007) and "The Yellow Cloud" (2010), "THE SUPERFLUOUS"(2012), in production "Catharsis", "Noah", "Dominus"

The company continues to prepare new projects.

The release of the thriller "Catharsis" is scheduled for 2012.

About the director

« Director, screenwriter, actor. Born in Nizhny Novgorod into a family of actors.

Alexander's grandfather worked in the circus with Wolf Messing. A former athlete (karate, fencing, Greco-Roman wrestling, various styles of kung fu), he holds a black belt in karate-do, does powerlifting and bodybuilding, and is skilled with every kind of bladed weapon.

He graduated from a school of journalism and an acting school, and worked in television. He has exceptional knowledge of directing and screenwriting from various schools around the world. As a director he is very well disposed towards those who try to work for the common result, and harsh towards those in whom he sees self-serving greed, budding star fever, talentless stubbornness. Once he threw such a person straight off the set of the film "The Yellow Cloud"
»


Cast and crew

Country/city: Russia/Nizhny Novgorod Year of release: 2010 Running time: 93 minutes

Director: Alexander Kondratenko Producer: Alexander Kondratenko Screenwriter: Alexander Kondratenko Cinematographer: Alexander Stefanyuk Composer: Alena Krasilnikova

Cast:Alexander Kondratenko, Svetlana Shatalova, Eduard Trubsky, Alexey Frolov, Nikolay Leshkov, Anastasia Chubarova

Editor: Alexander Kondratenko

Sound engineer: Anton Kosulin

Features of the film

According to the authors' statement, the features are as follows:

« Features of the film:

1. The largest non-commercial project in the country.

2. The author worked on the plot for 3 years.

3. Effects on a Hollywood scale, stunts and fights of the highest level.

4. The film has been highly rated by professionals.

5. The author of the film is also its director, screenwriter, actor, editor, martial arts specialist, visual effects specialist and stuntman.

6. The film involves a very large number of actors for a non-commercial film.

7. The director showed his native city in ruins.

8. The film is a warning to humanity.

9. The film stars the best stuntman in Russia - Alexey Kalashnikov.

10. A dedicated system of combined shooting and editing was developed especially for the film.

11. The best specialists of the region were involved.

12. Excellent debuts.

13. A masterpiece of auteur cinema.

14. Outstanding camerawork.

15. An interesting, original plot.

16. Good drive and a strong statement of intent.

17. Sparkling humour.

18. Wonderful music.

19. Complete immersion in another world.

20. High marks from both professionals and ordinary viewers.
»


Reviews of the film

Anselm Nizhegorodsky

I have never written descriptions of films or posted them anywhere. First of all this is because there is plenty of such information in "these here internets of yours". I cannot say that torrent trackers lack films in every possible format and size, or that sites with descriptions (kinopoisk, for example) have not written whole sheets about them, including not only the plot but also numerous critics' ratings and comments.

This time I want to tell you about a film that cannot be found on trackers, on YouTube or simply in Google. Despite being mentioned fairly often (mostly in connection with posters, saying there will be a screening at the Rekord), it cannot be found. Perhaps this has to do with copyright and so on. It was even said that no cam rip was made because people liked the film so much that they did not want to pirate it.

But there is an important "but" to note:

the film was shown in a cinema, which not everyone can always get to, especially residents of other cities (the film was shot in nizhny novgorod, by a Nizhny Novgorod company, and was shown in that same city).

The authors will probably not be too pleased if I change the current state of affairs by writing about the film here and publishing it in open access. It should be noted that I am doing this precisely because I liked the film, and not for money, for ratings on a tracker or anything else. I want this film to be seen by people who have never been to Nizhny and have no way of attending a screening. if someone likes the film, no one forbids them to donate a small (or large) sum to the project's authors. That is far more right than paying only the price of a ticket.

Now about the plot

The theme of the Exclusion Zone, seemingly done to death of late, is presented in a relatively new way. The Strugatskys presented it as an alien visitation, where all the unusual phenomena were simply alien to our world, while for the aliens' world they were quite ordinary; in the game and in part of the S.T.AL.K.E.R. books the version adopted is that of experiments that got out of control, though of entirely earthly origin. In other books of the series the versions differ altogether and are strikingly varied. And here..

A yellow cloud suddenly appeared over Nizhny Novgorod and the region. What it is and where it came from - no one can explain. The authorities declare the territory closed, feed the media a version about an accident at a nuclear power plant, and seal the territory off with a military cordon. For a time the Zone gives no cause for concern, the cordon soldiers are bored with idleness, no one and nothing comes out of the dome formed by the yellow fog into the outside world, nor does anyone make contact. Everyone understands that the population of the city and its surroundings has perished and no one expects anything to happen any more, when suddenly the cloud begins to grow.

The authorities, worried that the cloud might spread as far as Moscow, urgently organize yet another expedition (the previous, military ones did not return), consisting of 5 people: a young woman, an FSB officer; an occultist whom the group calls «Shaman» among themselves; a young hacker named Maxim; a disgraced cop who, incidentally, had once been the one to catch the hacker; and a soldier.

According to the data the group has, one serviceman from the perimeter guard did not vanish when the anomalous dome expanded, as the others did, but survived quite well. Not only does he enter the Zone unhindered, he also periodically comes out of it to the nearest shop for food and essentials. He is the one they have to find, though in fact they do not have to search for long. Literally a few metres after entering the anomalous area the group is attacked by zombies (the film does not say so directly, but that is what they are). The group starts losing the uneven fight, when this strange soldier, the Guide, as they call him from then on, comes to its aid. He helps deal with the zombies and tells them about the peculiarities of this world beyond the cordon.

The aim of the expedition, as he learns, is to locate the centre of the cloud and the reasons for its growth. Despite the Guide's assurances about the dangers of such a journey, the group nevertheless sets off for the centre of the Zone. On the way they encounter many strange things..

I deliberately will not tell the ending, knowing that for many people that kills their interest in a film. Better to see it once than to read a lot of letters, and besides, it is well worth the time spent watching.

Irinka Poleshchuk: We really did like the film)))Those who did not come to the premiere-missed a lot)))We hope to see more than one more film from the studio)))The guys are all great)))They did a splendid job))))

Alexander the film is terrific)))Even a bit funny in places)))We liked it))) Waiting for the film The Superfluous)))

Maria Malakeeva: In The Yellow Cloud I liked the healthy dose of deadpan humour. The plot is interesting, only I am dying to ask: when will Smeagol turn up and fish out that very super-little-book?)) probably in the second part. I will be waiting)) About The Superfluous trailer: concise and interesting. After watching the trailer you want to see the film - which means everything is right. The viewer is intrigued and will come to the screening to satisfy the curiosity the trailer stirred up.

capporicci capporicci: I was at the premiere of "The Yellow Cloud", the hall was a full house. I suspect Alexander himself did not expect such interest in his first genuinely big professional film.

Well done, Sasha! Making a film, I now know, is titanic labour - and on the whole you managed it. As for the rest, with the details your friends will help you, that is, us:)

Alexey Kalashnikov: Yeah the film is cool,it combines a lot of things,I did not expect it San)you surprised me! I hope that each time the bald guy's parts will get bigger and bigger!)))

Vadim Pugachev: I liked the humour and the drive. The fight scenes are all staged and done well. In terms of a certain liveliness, drive and jokes it is much better than the film "The Expendables", say. But there were scenes that did not convince, for example the scene in which the "shaman" tries to take the book into his power. As for the acting, the impression was mixed - the fair sex in the film did not impress. At the same time the main male characters are good. I came out of the Rekord definitely feeling that going to the film had not been a waste. I was left with the feeling that you have some interesting ideas, that you tried to combine different genres in your film. So thank you and the crew for this film Then again, as they say: you do not judge a singer by one song. So I am waiting for the next film. If I were the state, I would give the money for cinema not to Popogrebsky, but to you)

Alexey Trutnev: I watched the film. I was left with a mass of real impressions, I even dreamt of bits of the film at night. I want to note the following: The picture quality is excellent, I think you were being coy. In full quality I cannot even imagine what a beauty it would be. The sound is cinematic, the music is great. I sat through the whole film, and it was interesting all the way, I never felt like yawning. About the fights I say nothing. I have been to many such premieres in Nizhny, but I have not seen ones like these. They are alive and powerful, and most importantly they look genuine somehow, and you could not repeat them.

Otherwise all sorts of acrobats try to do fights, well they somersault, they fall, but the result is not the same, you can see the artificiality. And here I truly got a kick out of watching. The effects...shocked me!!!!!! There are a few complaints. You can see that several cameramen shot it. I know all of you, I tried to work out who shot what. I noticed that the camerawork is very professional and interesting in those places where the main character, Alexander Kondratenko, is absent. He probably shot those. Because almost all the shots he appears in are not very good. The last fight with the guys in black is staged and played amazingly, and even edited well, but the cameraman messed up good and proper.

I liked the character Max, who kept making people laugh, but that is more of a plus for the person who created him and a minus for the person who cast the actor in the role. There is absolutely no acting there. What is more, excuse me of course, but you could have found a more pleasant person. He is somehow really unpleasant. The FSB woman apparently cannot act very well either, you can see the performance was brought up to scratch in the edit. The farewell scene drags. At first I thought that was a minus, but now I know that the director simply sensed in his gut that it had to be that way.

When we got home from the cinema, my wife and I were discussing exactly that scene, it stayed before my eyes. Had it been shorter, I do not think it would have produced such an effect. They overdid it with the action, but since I love this genre, I watched with pleasure, thank you to the director for that excess. Keep it up, guys!!! Well done!!!

Alexey Minaev: Cool!!! Professional!!! Super!!! There has been nothing like this in Nizhny and probably never will be!!! Forget The Expendables!!! They are nowhere near. I want to watch it again. Put me down! 2 tickets for me!!!

Elizaveta Lisitsina: And when will there be a sequel? I liked everything. Only the actor who played Max is not very suited to the role. He acted very badly, you can see that he is laughing. And he is somehow an unpleasant type. The policeman who cannot shoot - a super fellow! And the parting scene is very good. Stunning humour. They fight so precisely. Like Chuck Norris. Even cooler! We would go one more time. Put me down for 3 tickets. And will it be possible to buy discs?

Sergey Bakharev: A stunning film! I did kickboxing for 10 years and I want to say that I have not seen such polished technique. The whole film was interesting to watch. From beginning to end. I would like to see it once more and to buy the disc too. After all these Nizhny Novgorod premieres where they showed all sorts of rubbish, for the first time I saw real cinema, a real cinematic picture, acting, real fights(it feels as though they were working at full contact), real effects. Everything promised in the advertising was delivered and more. Thank you to the authors. Well done!

Olesya Medyanova: I didn't like the actor who played Max either. The other characters are such sweethearts, they act so well. Only the cop is obviously no good with a gun, some kind of bungler. Well, apparently that's how it was meant to be. What a gorgeous farewell scene, a very beautiful love story, excellently played. The film completely immerses you in its atmosphere. Thank you for a wonderful evening, for a beautiful film. We'll gladly come again. Let us know about a repeat screening.

Semyon Sebastyanov: Yes, the toothy one spoiled the whole film. But all the same the film is wonderful. The scene I remember is when the black one comes and figures everyone out. The camera work there is brilliant. The opening credits are shot in a cool way too. Yes, almost the whole film is a five. I didn't like the shots where they walk through the city, but what effects! Oh, great! Splendid, guys. When the crazed soldiers attacked the group, that was just wild. What a scene!!! It's been a long time since there was anything worthwhile in the cinemas, and here our guys pulled off something like this! If you show it again, write to us, we'll come.

Oleg Ryabinin: We had a good rest, we left the cinema in a good mood. Somehow we really were transported into that yellow cloud. A soulful film, despite the flaws that you have written about here. It doesn't even fit in the head how something like this can be shot without funding. My wife even shed a tear at the parting scene. And I enjoyed watching a piece of a real western at the end of the film. They don't make them now, and I love them. You can see at once that the guys can shoot films of different genres with success. Congratulations on the premiere. We're waiting for "Lishnie"!

Artur Proskuryakov: I'm going to say and tell you everything now. Needless to say, the picture quality is bad. For the Record Film Center it's simply the plague! The Record doesn't know how to show HD. This film is a real film! With all the components. I've seen premieres like that at the Record, and I'll say that it wasn't cinema but some kind of puke. Somebody talks with somebody for 10 minutes and that's it. And here there's a real film. It's like comparing "Avatar" with an episode of "Sasha + Masha". Yes, I also didn't like this one who played Max. You can see the director was dragging him along by the ears.

The rest played quite well. Only the fight scenes can be played only by the actor who played the Guide and the leader of the bandits... and also the bald fellow, though he blew his dialogue. The rest aren't for action films. The girls behaved much more warlike in the minutes of danger than, say, the cop. Maybe that's how it was intended... The effects are just AWEEEESOOOOOOOOOOOOMEEEEEEEEEEE!!! wow HIP-HIP Hooray. The fights and shootouts too. The script, they say there's an overload of genres, but that's the trick. It makes you think very well. Many things only sank in a few days after the viewing. A very deep meaning, and the main thing, a readable one! I liked the bandits, the black ones brought on terror. I watched a real, worthwhile film! Thanks to the authors. When there's a disc, we'll definitely buy it.

Marina Preobrazhenskaya: Hello, creators of the film. I was at the premiere, and only today did I discover your group and the reviews of the film. I liked the film very much. A very interesting script. The film is beautiful. Most of all I liked Alexander Kondratenko in the role of the Guide. The other actors also played quite well. Except, well, yes, yes, I agree with the majority. But I want to add that Dima Prokofiev should have been taken for the role of Max. I know he performed all the stunts of the character Max. But he would have been able to act it as well. And his looks are far more pleasant.

The computer effects are great, the battles are super. The policeman who can't shoot got into the role well. You can see that he really can't shoot, he squinted during the shots and ran with a machine gun from the bandits like a girl with a bouquet of dandelions across a meadow. Just as unhurriedly. The Indian woman came out a good one. And what's that about a sequel and an alternative ending? Tell us the secret? And where can the film be bought?

Oleg Ryabinin: Why so many words! And so many professional subtleties. It's clear that only the director pulled the film up and threw it past the PROFESSIONAL mark. There's no need even to explain anything. This is a significant event for Nizhny. In the whole history of the city nobody has ever shot anything like this among the non-commercial people. And nobody will! When is "Lishnie", and where to buy the disc. If you don't sell the disc with "Yellow Cloud", I'll come to "Lishnie" with a camera and pirate it!

Artur Proskuryakov: "Yellow Cloud" is a masterpiece of Russian cinema, and that's that!

Lyudmila Zueva, journalist of the newspaper "Birzha":

Thank you for the film! You frightened me that it was too brutal and scary. But I got frightened only once - you prepared me well, apparently. Everything is done very sincerely - and that is felt in everything. Such kind energy. That's a rarity now - against the background of all the unjustifiably fat-budgeted pictures of recent years, when the idea is a dud - and the money is as if for saving the world... And even the fact that you state the main things declaratively, too directly - that's probably what's needed now. So that everyone hears. Such a tendency in art - it is approved now by critics, and generally by people who care.

Although I would think about how to do it a bit more subtly - in contrast with the martial arts it would play even stronger. And there still lives in you - and sometimes climbs out and plays pranks - that Indian whom you played in childhood. But again this worked for you and for the film - it added charm. And in life with real people this happens quite often. And the fights are cool and in places very highly artistic! And I, as a dancer, simply liked some scenes very much - I watched them holding my breath and smiling. And the types of the fighters are so different! it's wonderful that you don't pick everyone to match yourself.

And although you are beyond competition, where did you find such a ballet-like National Bolshevik boy? Even in the difficult kicks he pointed his toes - just a blast! But all the scary stuff, the non-human inside the cloud - it turned out, forgive me, somehow fairy-tale-like. Although rather from the good fairy tales - of the Soviet period, the kind even Hollywood envied. And in general I wish you very much - not to lose your inner kindness and slightly childlike view of things, of the world - as you move up the film ladder. Mila Zueva

Seryozha Frolov Alexander Kondratenko already has more than two dozen pictures to his name. The director has no doubts, his films are far more interesting than the works of his Hollywood colleagues. Provincial actors dream of an Oscar too.

Chairs break, cabinets collapse, glass shatters - large-scale dynamic scenes of hand-to-hand combat and shooting are Alexander Kondratenko's signature style. All his pictures have elements of mysticism.

In one of them a mysterious yellow cloud envelops Nizhny Novgorod, the city becomes the center of an exclusion zone where strange and frightening things go on.

See the original material at http://www.1tv.ru/news/other/235504

1 ORT

"In Hollywood it's mostly computers working now. And here living people work. Sweat, blood, here everything lives, everything is natural", says theater actor Yuri Grigoriev.

Alexei Kalashnikov dances striptease in life, and on the screen turns into a glamorous villain who lands blows on his opponents at cosmic speed. He is already acting in the third picture of the Nizhny Novgorod director.

See the original material at http://www.1tv.ru/news/other/235504

Official

This film is nearly the only film in Russia shot on the motifs of the game series "Stalker", beloved by millions. A mission into the exclusion zone, in which strange creatures live. Abandoned villages, settlements, towns. The film showed high ratings on TV channels, full houses in the cinemas. NTV To the author's credit is an incredible number of scripts on the most topical subjects. Many films are shown with success on local TV channels. And the crime action film "Lishnie" and the feature-length film "Yellow Cloud" about the exclusion zone received a license from the Ministry of Culture and may be shown in the country's cinemas.

Details - in the NTV report.

Andrei Ponomarev

A worthy piece of cinema. As a fan of Stalker, the film was to my liking, even though the cup of action in the film clearly goes off the scale, if you take pure Tarkovsky. But the times dictate their own and one has to keep pace with them. Thank you for the film. More of these from the Russian producer.

Independent Viewer, anonymous review from the address 95.154.91.2 on 13 December 2012 at 16:32 Such blatant hack-work that there are simply no words. What was the author thinking about for "3 years" ? Probably about where to go for new weed. A pity that he did find it. One more "masterpiece" in the world.

Anonymous review

F**k me against the wall! I'm simply delighted!!! More films like this, and Indian cinema would just strangle itself with fart gases in a dance))) Kondratenko is just THE BEST!!! Make me a baby! I'm simply coming!!!

Interesting facts

  • In 2012 "Yellow Cloud" will be broadcast repeatedly on the air of the Volga TV company.
  • The film's budget, according to the director's statement shown in the news of the Seti-NN television station, amounted to only a few thousand rubles, "and even that not all at once, it's pocket money". This circumstance sets a peculiar Nizhny Novgorod record in the field of feature-length film production.
  • According to the information of the makers, the film ran with success in cinemas across the Nizhny Novgorod Region and neighboring regions, and was on the air of the Volga TV company. Several more Russian channels bought the rights to show it, among them the channel Amazing Life Magazine's Volga Voyage, 1958(the program "Yarmarka Kino" issue 22). The film was accepted into the GOSFILMOFOND of the Russian Federation under number 211050410.
  • The Volga TV company acquired the rights to show on its air all the films of the Kondor film company for the period 2012 - 2013.

Official website of the film

See also